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Frans Hals
Young man with a skull
mk86
c.1626
Oil on canvas
92x81cm
London,National Gallery
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Frans Hals
The Merry Drinker
mk86
1628
Oil on canvas
81x66.5cm
Amsterdam,Rijksmuseum
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Frans Hals
The Gypsy Girl
mk86
c.1628-1630
Oil on panel
58x52cm
Paris,Musee
National du Louvre
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Frans Hals
Portrait of Willem van Heythuysen
mk86
c.1625-1630
Oil on canvas
204.5x134.5cm
Munich,Bayerisch Staatsgemalde-sammlungen,
Alte Pinakothek
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Frans Hals
Regentsses of the Old Men's Almoshouse in Haarlem
mk86
1664
Oil on canvas
170.5x249.5cm
Haarlem,Frans-Hals-Museum
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Frans Hals
Portrait of a Man
mk91
Oil on canvas
84.5x67
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Frans Hals
Malle Babbe,die Hex von Harrlem
mk92
1630
75x64cm
Berlin
Gemaldesammlung
Staatliche Museen Preubischer Kulturbesitz
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Frans Hals
Peeckelbaering
mk101
Oil on canvas
75x61.5cm
Staatliche Museen,Kassel.
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Frans Hals
Portrait of a man
mk150
c.1654/5
Canvas
108x79.5cm
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Frans Hals
Tieleman Roosterman
mk150
1634
dated Canvas
117x87cm
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Frans Hals
The Laughing Cavalier
mk156
1624
Oil on canvas
83x67cm
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Frans Hals
Banquet of the Officers of the Civic Guard of St Adrian
mk156
1627
Oil on canvas
183x266.5cm
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Frans Hals
Gypsy Girl
mk156
c.1626
Oil on panel
58x52cm
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Frans Hals
Company of Captain Reinier Reael
mk156
1637
Oil on canvas
209x429
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Frans Hals
Portrait of a young man holding a glove
mk159
c.1650
Oil on canvas
80x66.5cm
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Frans Hals
Young Man and Woman in an Inn
mk161
Oil on canvas
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Frans Hals
The cheerful drinder
MK169
1628-30 Shut down 81x66.5cm
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Frans Hals
Regent ashes of the old men house
MK169
ca. 1664 Cloth 171x250cm
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Frans Hals
Portrait of a Man
mk170
1633
Oil on canvas
64.8x50.2cm
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Frans Hals
Young Man Holding a Skull
mk170
1626-1628
Oil on canvas
92.2x88cm
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| Frans Hals
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1580-1666
Frans Hals Galleries
In the field of group portraiture his work is equalled only by that of Rembrandt. Hals's portraits, both individual and group, have an immediacy and brilliance that bring his sitters to life in a way previously unknown in the Netherlands. This effect, achieved by strong Baroque designs and the innovative use of loose brushstrokes to depict light on form, was not to the taste of critics in the 18th century and the early 19th, when his work was characterized as lazy and unfinished. However, with the rise of Realism and, later, Impressionism, Hals was hailed as a modern painter before his time. Since then his works have always been popular.
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